Posts mit dem Label Afrikanische Lebenswelten werden angezeigt. Alle Posts anzeigen
Posts mit dem Label Afrikanische Lebenswelten werden angezeigt. Alle Posts anzeigen

Freitag, 12. Juni 2009

Ohne Wasser geht gar nichts; Wasser kommt immer zuerst
Afrikanische Lebenswelten (1) | Malawi

Film-Nr.: 431
Vorführungstermin: Samstag, 15. August 2009, 16.20 Uhr (Erster Film) [VN43]
Themenschwerpunkt: Afrikanische Lebenswelten (1) | Malawi

Englischer Titel: Water First
Originaltitel: Water First
Deutscher Titel: Wasser kommt immer zuerst
Herkunft: USA 2008
Laufzeit: 28 min.
Sprachfassung: Englische Originalfassung (tw. Chechewa)

Regie: Amy Hart
Produzent: Amy Hart
Schnitt:
Kamera:
Musik:
Produktion: Hart Productions, New York

URL Film-Homepage: http://waterfirstfilm.org
Premierenstatus: Europäische Erstaufführung
Bisherige Aufführungen: Mexico City - World Water Forum, Mexiko; Rodos EcoFilm Festival, Griechenland ; UN Environmental Programme Award Film Festival, Istanbul, Türkei; World Water Week, Stockholm, Schweden; Verviers au Film de l’Eau – Water Film Festival, Belgien; Pan African Film Festival, Los Angeles, USA; Starz Pan African Film Festival, Denver (Colorado) USA; Global Peace Film Festival, Orlando (Florida) USA; Africala Film Festival, Mexico City, Mexiko; Voices From the Waters Film Festival, Bangalore, Indien; Maryland Film Festival, Baltimore (Maryland) USA; u.a.m.


Kurzinhalt: Der Zugang zu sauberem Trinkwasser ist das vorrangigste Ziel, um die Milleniums-Ziele der Vereinten Nationen für Entwicklungsländer zu erreichen. Vom Trinkwasser hängt alles ab: Beseitigung von Hunger, Armut, über zufriedenstellende Landwirtschaft und Ernährung, bis hin zu HIV-AIDS, ökologischer Nachhaltigkeit und Geburtenkontrolle. Diese Zusammenhänge erklärt Charles Banda, ein zum Wasser-Aktivisten umgesattelter Feuerwehrmann aus Malawi.

Trailervideo:

Water First (USA 2008) photo © Amy Hart

Englische Synopsis: 'Water should be first.' That is the motto of Charles Banda, a humble, local Malawian fireman turned water activist. Through his story we see how water is a solution to many of the problems in his impoverished, sub-Saharan country. From hunger and poverty to women's equality and population control, HIV-AIDS to environmental sustainability, Banda makes it clear that the best way to empower people in developing nations, and to achieve the Millennium Development Goals (MDGs), is by putting water first.

Englische Werkbeschreibung: Want to save the world? You'll probably need water. First. In the year 2000 the UN established the Millennium Development Goals (MDGs) - a set of goals designed to address issues of hunger, poverty, women's equality, infant mortality, HIV/AIDS, environmental sustainability and other factors in developing nations. Through the inspiring story of Charles Banda, a humble water activist in Malawi, WATER FIRST conveys the importance of clean water in achieving all of the goals and improving the quality of life for all people.

Water First (USA 2008) Director: Amy Hart

GLOBIANS DOC FEST BERLIN
August 12 - 17, 2009
Kino Toni, Antonplatz

Afrikanische Lebenswelten (2): Das filmische Selbstverständnis der AIDS-Waisen von Maputo

Film-Nr.: 432
Vorführungstermin: Samstag, 15. August 2009, 16.20 h (Zweiter Film) [VN43]
Themenschwerpunkt: Afrikanische Lebenswelten (2) | Mozambique

Englischer Titel: Home Is Where You Find It
Originaltitel: Home Is Where You Find It
Deutscher Titel: Zuhause ist dort, wo man es findet.
Herkunft: USA 2009
Laufzeit: 27 min.
Sprachfassung: Portugiesische Originalfassung mit englischen Untertiteln

Regie: Alcides Soares
Produzent: Holly Carter (executive), Neal Baer, Arthur Forney, Christopher Zalla, Peter Jankowski, Dick Wolf
Schnitt: Michael Schweitzer
Kamera: Alcides Soares
Musik: Mike Post
Produktion: BYkids Film, Law and Order SVU, Los Angeles

URL Film-Homepage: http://www.homeiswhereyoufindit.com
Premierenstatus: Internationale Premiere
Bisherige Aufführungen: Silverdocs, Washington (D.C.) USA

Trailer video: http://blip.tv/file/2300113 + http://www.youtube.com/watch?v=6wCjup1N7sY


Kurzinhalt: Ein 16 Jahre alter AIDS-Waise zeigt uns in seinem Dokumentarfilm, wie er sich eine neue Familie in Maputo (Mosambique) sucht.

Englische Synopsis: A sixteen year old AIDS orphan directs a documentary about finding a new family is Maputo, Mozambique.

Home is Where You Find it (USA 2008) Director Alcides Soares

Englische Werkbeschreibung: Alcides Soares is a sixteen-year-old AIDS orphan, one of half a million living in Mozambique today. An American television writer (Neal Baer) and movie director (Chris Zalla) gave Alcides a movie camera and taught him how to shoot. The result is a moving chronicle directed by Alcides himself. His journey to find a family and make a new life in a country that has been ravaged by AIDS, is a story repeated millions of times everyday throughout Africa. As Alcides's story unfolds, we meet the orphans of Reencontro, an organization in Moputo that provides these children with bare sustenance. The Reencontro orphans were also taught photography by a group of American and Mozambiquan photographers and provided with still cameras so they could tell their own stories about the impact of AIDS on their lives. Their pictures, sometimes tragic, often hopeful and always honest, appear throughtout 'Home is where you find it' as a reminder that these children's voices must be heard. In telling his story, Alcides finds an elderly woman to live with and, unexpectedly, is reunited with his younger brother whom he hasn't seen in ten years. AIDS tears families apart, but the resilience of children like Alcides can make new families out of tragedy.

Director's Bio: Alcides Soares was seventeen years old when he directed "Home Is Where You Find It." He was chosen by American tv writer and executive producer, Neal Baer (ER, Law & Order: Special Victims Unit) and director Christopher Zalla (Sundance award winning "Padre Neustros") to make a film about his life as an AIDS orphan, searching to find a family after his parents have died. Alcides lives in Maputo, Mozambique and is finishing high school. He plans to study filmmaking and architecture in college.

Producer's Bio: Dr. Neal Baer is Executive Producer of the NBC television series Law & Order: Special Victims Unit. During his tenure, among the awards the series has won include the Shine Award; People’s Choice Award, the Prism Award, and the Media Access Award, and actors on the show have won four Emmys and the Golden Globe. The series regularly appears among the top ten television dramas in national ratings. Prior to his work on SVU, Dr. Baer was Executive Producer of the NBC series ER. A member of the show’s original staff and a writer and producer on the series for seven seasons, he was nominated for five Emmys as a producer. He also received Emmy nominations for Outstanding Writing in A Drama Series for the episodes “Hell and High Water” and “Whose Appy Now?” For the latter, he also received a Writers' Guild of America nomination. Dr. Baer’s other work includes "Warriors," an episode of China Beach, nominated for a Writers' Guild Award for best episodic drama, and the ABC Afterschool Special “Private Affairs,” which he directed and wrote. The Association of Women in Film and Television selected the program, dealing with sexually transmitted diseases, as the Best Children’s Drama of the Year. He wrote “The Doctor Corps,” a feature film for Twentieth Century Fox; “Outreach,” a pilot for the WB Network, which he also produced; “The Edge,” a pilot for CBS; and “The Beast,” a pilot for NBC. He is presently writing and producing a six-hour mini-series for HBO on the world AIDS pandemic and the plight of AIDS orphans with Sir Elton John executive producing. Dr. Baer graduated from Harvard Medical School and completed his internship in Pediatrics at Children’s Hospital, Los Angeles. He received the Jerry L. Pettis Memorial Scholarship from the American Medical Association as the most outstanding medical student who has contributed to promoting a better understanding of medicine in the media. The American Association for the Advancement of Science selected him as a Mass Media Fellow. Dr. Baer's primary medical interests are in adolescent health. He has written extensively for teens on health issues for Scholastic Magazine, covering such topics as teen pregnancy, AIDS, drug and alcohol abuse, and nutrition. Dr. Baer taught elementary school in Colorado and also worked as a research associate at USC Medical School, where he focused on drug and alcohol abuse prevention. Recently, Dr. Baer co-established the Institute for Photographic Empowerment at USC’s Annenberg School of Communications, which links photographic story-telling projects around the world and makes that work available to NGOs and policymakers. He has worked in South Africa and Mozambique since 2006, teaching photography to mothers with HIV and to AIDS orphans so that they can tell the world their own stories. Dr. Baer graduated magna cum laude with a B.A. in Political Science from Colorado College. He holds master’s degrees from Harvard Graduate School of Education and from Harvard Graduate School of Arts and Sciences in Sociology. Before working in television, he spent a year at the American Film Institute as a directing fellow. In 2000, he received an honorary Doctor of Laws from Colorado College. Dr. Baer serves on the boards of many organizations related to health care, including the Venice Family Clinic (the largest free clinic in the U.S.), RAND Health, Physicians for Social Responsibility, Children Now, and the National Organization on Fetal Alcohol Syndrome (NOFAS). He is a trustee of the Writers Guild of America Health and Pension Fund, a member of the Board of Associates at the Whitehead Institute for Biomedical Research, a trustee of Colorado College and an elected member to Harvard University’s alumni board. He is also Co-Chair of the CDC and Gates Foundation-supported, Hollywood Health and Society. Dr. Baer received the Valentine Davies Award in 2004 from the Writers Guild of America, West for “public service efforts in both the entertainment industry and the community at large, bringing dignity to and raising the standard for writers everywhere.” In 2003 he received the Special Individual Achievement Award from the Media Project; the Leadership Award from NOFAS; the Loop Award from Lupus LA for educating the public about lupus and autoimmune diseases; the Socially Responsible Medicine Award from Physicians for Social Responsibility for “accomplishment in crafting compelling health messages;” and the Feminist Majority Foundation for promoting global woman’s rights on television. Dr. Baer lives in Los Angeles with his wife, Gerrie Smith, and his son Caleb, 18, who will be attending Williams College in the fall.

GLOBIANS DOC FEST BERLIN
August 12 - 17, 2009
Kino Toni, Antonplatz

Afrikanische Lebenswelten (3) | Ägypten (1) | Müll (2):
Das soziale Ökosystem der Müllverwertung in Kairo als Sphäre der Frauen

Film-Nr.: 441
Vorführungstermin: Samstag, 15. August 2009, 17.30 Uhr (Vorfilm) [VN44]
Themenschwerpunkt: Afrikanische Lebenswelten (3) | Ägypten (1) | Müll (2)

Englischer Titel: Mona
Originaltitel: Mona
Deutscher Titel: Mona
Herkunft: Deutschland 2008
Laufzeit: 30 min.
Sprachfassung: Arabische Originalfassung mit englischen Untertiteln

Regie: Agnes Rossa
Produzent: Ute Dilger
Schnitt: Huynh-Trang Lam, Ralf Schipke (sound)
Kamera: Diana Harders
Akademische Betreuung: Ute Dilger
Produktion: Kunsthochschule für Medien Köln

URL Film-Homepage:
Premierenstatus: Berliner Erstaufführung
Bisherige Aufführungen: Donostia – San Sebastián, 7th Human Rights Film Festival, Donostia, San Sebastián, Spanien; documentary-filmweek, Hamburg; Rom International Film Festival, Italien; Cineposible International Film Festival, Human Rights, Almendralejo, Spanien; Viennale International Film Festival, Wien, Österreich;


Mona (Germany 2008)

Kurzinhalt: Mona lebt mit ihren vier Töchtern in einem 5-Quadratmeter-Apartment in Kairo. Um ihre Familie nach dem dem Tod ihres Ehemanns zu ernähren, sortiert sie täglich den Müll der Stadt. Die Kinder von Mona besuchen die Schule. Mona träumt davon, dass ihre Kinder nach einem erfolgreichen Schulabschluss ein besseres Leben als sie selbst haben werden. Ihr ganzer Alltag zentriert sich um ihre Töchter, die sie mit viel Liebe, Stolz und Würde erzieht.

Trailervideo:

Englische Synopsis: Mona lives with her four daughters in a five square metre appartment in Cairo. To support her family after the death of her husband, Mona sorts the city's garbage every day. Mona’s daughters attend school. Mona dreams of seeing her children graduate from school and lead a better life than herself one day. Her whole life revolves around her daughters whom she brings up with much love and pride.

Mona (Germany 2008)

Englische Werkbeschreibung: The film does not only provide insight into the family’s living conditions, hopes, dreams, problematic and joyful experiences but also informs about the waste system and its supporting infrastructure in one of the largest metropolises of the world.

GLOBIANS DOC FEST BERLIN
August 12 - 17, 2009
Kino Toni, Antonplatz

Afrikanische Lebenswelten (4) | Ägypten (2) | Müll (3):
Das soziale Ökosystem der Müllverwertung von Kairo vor seiner Industrialisierung

Film-Nr.: 442
Vorführungstermin: Samstag, 15. August 2009, 17.30 Uhr (Hauptfilm) [VN44]
Themenschwerpunkt: Afrikanische Lebenswelten (4) | Ägypten (2) | Müll (3)

Englischer Titel: Garbage Dreams
Originaltitel: Garbage Dreams
Deutscher Titel: Müllträume
Herkunft: USA 2009
Laufzeit: 72 min.
Sprachfassung: Arabische Originalfassung mit englischen Untertiteln

Regie: Mai Iskander
Produzent: Mai Iskander
Schnitt: Jessica Reynolds, Kate Hirson
Kamera: Mai Iskander
Musik:
Produktion:

URL Film-Homepage: http://www.garbagedreams.com
Premierenstatus: Europäische Erstaufführung
Bisherige Aufführungen: Rhode Island International Film Festival, Rhode Island, USA; Connecticut Film Festival (Connecticut) USA; Seattle International Film Festival, Seattle (Washington) USA; Maryland Film Festival (Maryland) USA; Newport Beach Film Festival, Los Angelos (Kalifornien) USA; Nashville Film Festival (Tennesee) USA; Tallahasee Film Festival (Florida) USA; Vail Film Festival (Colorado) USA; Phoenix Film Festival (Arizona) USA;


Garbage Dreams (USA 2009) poster

Kurzinhalt: Das Leben von drei Teenager-Jungen, die in den Müllhandel der "Zaballeen" im Mokattam-Stadtviertel von Kairo hineingeboren wurden. Lange vor vermeintlich modernen "grünen" Konzepten, haben die rund 60.000.Zaballen ihr Überleben aus der Wiederverwendung von 80 Prozent des gesammelten Mülls gesichert. Als die Stadt Kairo sich nun dem internationalen und globalisierten Müllhandel verschreibt, stehen die Teenager plötzlich vor existenziellen Lebensentscheidungen, die sie selbst und ihre Gemeinschaft betreffen. Der Film von Mai Iskander wurde vom Sundance Dokumentarfilm Institut gefördert.

Trailervideo:

Englische Synopsis: Garbage Dreams follows three teenage boys born into the trash trade and growing up in the world's largest garbage village, on the outskirts of Cairo. It is the home to 60,000 Zaballeen, Arabic for 'garbage people.' Far ahead of any modern 'Green' initiatives, the Zaballeen survive by recycling 80 percent of the garbage they collect. When their community is suddenly faced with the globalization of its trade, each of the teenage boys is forced to make choices that will impact his future and the survival of his community.

Garbage Dreams (USA 2009) still

Englische Werkbeschreibung: 'GARBAGE DREAMS is a moving story of young men searching for a ways to eke out a living for their families and facing tough choices as they try to do the right thing for the planet. Mai Iskander guides us into a 'garbage village,' a place so different from our own, and yet the choices they face there are so hauntingly familiar. Ultimately, GARBAGE DREAMS makes a compelling case that modernization does not always equal progress.' - AL GORE Filmed over four years, GARBAGE DREAMS follows three teenage boys – Adham, a bright precocious 17 year old; Osama, a charming impish 16 year old; Nabil, a shy artistic 18 year old – born into the trash trade and growing up in the world’s largest garbage village, a ghetto located on the outskirts of Cairo. It is a world folded onto itself, an impenetrable labyrinth of narrow roadways camouflaged by trash; it is the home to 60,000 Zaballeen (also spelt Zabbaleen), arabic for “garbage people.” For generations, the residents of Cairo have depended on the Zaballeen to collect their trash, paying them only a minimal amount for their garbage collection services. The Zaballeen survive by recycling the city’s waste. These entrepreneurial garbage workers recycle 80% of all the garbage they collect, creating what is arguably the world's most efficient waste disposal system. When the city they keep clean suddenly decides to replace the Zaballeen with multinational garbage disposal companies, the Zaballeen community finds itself at a crossroads. Face to face with the globalization of their trade, each of the teenage boys is forced to make choices that will impact his future and the survival of his community.

Garbage Dreams (USA 2009) Director Mai Iskander

GLOBIANS DOC FEST BERLIN
August 12 - 17, 2009
Kino Toni, Antonplatz

Das Nashorn wird gemolken:
Afrikanische Lebenswelten (5) | Tierschutz (1)

Film-Nr.: 451
Vorführungstermin: Samstag, 15. August 2009, 19.30 Uhr [VN45]
Themenschwerpunkt: Afrikanische Lebenswelten (5) | Kenia | Namibia | Südafrika | Tierschutz (1)

Englischer Titel: Milking The Rhino
Originaltitel: Milking The Rhino
Deutscher Titel: Das Nashorn wird gemolken
Herkunft: USA 2008
Laufzeit: 83 min.
Sprachfassung: Englische Originalfassung (tw. Maa, Otji-Himba)

Regie: David E. Simpson
Produzent: David E. Simpson
Drehbuch: David E. Simpson
Schnitt: David E. Simpson, Liz Kaar
Kamera: Jason Longo
Musik: Mark Bandy
Sprecher: Munyikombo Bukusi
Produktion: Kartemquin Films, Chicago

URL Film-Homepage: http://MilkingTheRhino.org | http://www.kartemquin.com
Premierenstatus: Deutsche Erstaufführung
Bisherige Aufführungen: International Documentary Festival Amsterdam (IDFA), "In Competition" for the Joris Ivens Award, Amsterdam, Niederlande; Tales From Planet Earth Film Festival, Madison (Wisconsin) USA; Jerusalem International Film Festival, Jerusalem, Israel; Cottonwood Creek Environmental Film Festival, Encinitas (Kalifornien) USA; Dutch Environmental Film Festival, Amsterdam, Niederlande; Rodos International Film and Visual Arts Festival “Ecofilms”, Rodos, Griechenland; DOXA Documentary Film Festival, Vancouver, Kanada; Planete Doc Review, Warschau, Polen; Berkshires International Film Festival, (Massachusetts) USA; Egypt International Film Festival, Ägypten; Wild Cinema, Namibia; Oxdox International Documentary Film Festival, Oxford, England, United Kingdom; Environmental Film Festival at Yale University, New Haven (Connecticut) USA; Full Frame Documentary Film Festival, Durham (North Carolina) USA; TV Ausstrahlung Independent Lens / PBS; DC Environmental Film Festival, Washington (D.C.) USA; Filmfestivaln Vera, Mariehamn, Finnland; Cinema Planeta Environmental Film Festival, Cuernevaca, Mexiko; San Luis Obispo International Film Festival, San Luis Obispo (Kalifornien) USA; Illinois Humanities Council at Dusable Museum, Chicago, (Illinois) USA; Cleveland International Film Festival, Cleveland (Ohio) USA; Portland International Film Festival, Portland (Oregon) USA; University of Chicago Doc Films, Chicago (Illinois) USA; Pan African Film Festival, Los Angeles (Kalifornien) USA; Hot Docs "Doc Soup" Series, Toronto, Kanada; Big Sky Documentary Film Festival, Missoula (Montana) USA; ZagrebDox, Zagreb, Kroatien; Sedona International Film Festival, Sedona (Arizona) USA; Honolulu Film Festival, Silver Lei Award, Honolulu (Hawaii) USA; Reeltime Independent Film & Video Forum, Evanston (Illinois) USA; Goethe Institut, Nairobi, Kenia; Regional Conservation Science Policy Conference, Accra (Ghana) USA; Santa Barbara International Film Festival, Santa Barbara (Kalifornien) USA; Santa Fe Film Center, Santa Fe (New Mexico) USA; Barbados International Film Festival, Barbados; The Backlot Festival, Paramarimbo, Surinam; Santa Fe Film Festival, Santa Fe (New Mexico) USA; Chicago Humanities Festival, Chicago, (Illinois) USA: Gene Siskel Film Center, Chicago (Illinois) USA; TriContinental Film Festival, Südafrika;


Kurzinhalt: Nach einem Jahrhundert des "weißen Tierschutzes" breitet sich langsam die Erkenntnis aus, dass Tierschutz in Afrika nicht ohne und nicht gegen die indigenen Völker und Stämme erfolgreich sein wird. Neue Strategien sind gefragt, von denen dieser Film aus Kenia, Namibia und Südafrika berichtet.

Milking the Rhino (USA 2008)

Trailervideo: http://globians.blip.tv/file/2253246 + http://www.youtube.com/watch?v=4vgxGnemvzw

Englische Synopsis: The Maasai tribe of Kenya and Namibia's Himba — two of Earth's oldest cattle cultures — are in the midst of upheaval. Emerging from a century of "white man conservation" that turned their land into game reserves and fueled resentment towards wildlife, they are now vying for a piece of the wildlife-tourism pie. Charting the collision of ancient ways and Western expectations, MILKING THE RHINO tells intimate, hopeful and heartbreaking stories of people facing deep cultural change.

Milking The Rhino (USA 2008) still: Samburu Herdsman

Englische Werkbeschreibung: A ferocious kill on the Serengeti? Dire warnings about endangered species? These cliches of nature documentaries ignore a key feature of the landscape: villagers just off-camera, who navigate the dangers and costs of living with wildlife on a daily basis. When seen at all, rural Africans are often depicted as the problem. They poach animals and encroach on habitat, they spoil our myth of wild Africa. MILKING THE RHINO tells a more nuanced tale of human-wildlife coexistence in post-colonial Africa. The Maasai tribe of Kenya and Namibia's Himba — two of Earth's oldest cattle cultures — are in the midst of upheaval. Emerging from a century of "white man conservation" which turned their lands into game reserves and fueled resentment towards wildlife, Himba and Maasai communities are now vying for a piece of the wildlife-tourism pie. Community-based conservation, which tries to balance the needs of wildlife and people, has been touted by environmentalists as "win-win". The reality is more complex. "We never used to benefit from these animals", a Maasai host of a community eco-lodge explains. "Now we milk them like cattle!" His neighbor disagrees: "A rhino means nothing to me! I can't kill it for meat like a cow." And when drought decimates the grass shared by livestock and wildlife, the community's commitment to conservation is sorely tested. Charting the collision of ancient ways with Western expectations, MILKING THE RHINO tells intimate, hopeful and heartbreaking stories of people facing deep cultural change.

Milking The Rhino (USA 2008) Director David E. Simpson

Persönliche Anmerkung des Festivalkurators: Wenn wir einen Film zum Globians Doc Fest vorsichten, dann schauen wir uns immer den Film an und nie die Liste aller Festivals, auf denen der betreffende Film bisher bereits gelaufen ist. Dass es sich in diesem Falle nun um die wohl längste Liste von Festivals des betreffenden Films, der beim diesjährigen Globians Doc Fest Berlin gezeigt wird, handelt, haben wir beim Sichten eigentlich bereits geahnt. Wenn man wenig Zeit hat, sich Filme beim Globians Doc Fest Berlin anzusehen, dann sollte man diesen hier aber unter keinen Umständen verpassen.

Dieser Film aus dem Programm des Globians Doc Fest wird wiederholt und zwar am 28. Oktober 2009 um 21.00 Uhr im Eiffelturm-Kino Berlin (im Centre Français de Berlin), Müllerstr. 74, U-Bahnhof Rehberge/Afrikanische Straße.

GLOBIANS DOC FEST BERLIN
August 12 - 17, 2009
Kino Toni, Antonplatz

Afrikanische Lebenswelten (6)
Kenia, Nairobi, Kibera-Slum
Bürger Oketch und sein Leben in ständiger Lebensgefahr

Film-Nr.: 461
Vorführungstermin: Samstag, 15. August 2009, 21 Uhr [VN46]
Themenschwerpunkt: Afrikanische Lebenswelten (6) | Kenia

Englischer Titel: Citizen Oketch
Originaltitel: Citizen Oketch
Deutscher Titel: Bürger Oketch
Herkunft: Schweden 2008
Laufzeit: 61 min.
Sprachfassung: Englische Originalfassung (tw. Swahili)

Regie: David Herdies, Georg Götmark
Produzent: David Herdies, Georg Götmark
Schnitt: Erlend Kristoffersen
Kamera: Loa Bie
Sprecher: Francis Ngiera Okello
Produktion: Filmfront STHLM, Stockholm
Weltvertrieb: Journeyman Pictures


URL Film-Homepage: http://www.filmfront.se
Premierenstatus: Welt-Festivalpremiere
Der Film wurde nach der Programmauswahl für das Globians Doc Fest Berlin von ARTE zur Sendung angekauft.
Ein Sendetermin steht derzeit noch nicht fest.

Kurzinhalt: Drei Jahre lang verfolgte ein schwedisches Dokumentarfilmer-Team das Leben der Familie Oketch in einem der größten Slums von Afrika, in Kibera, Nairobi (Kenia). Entstanden ist dabei ein Dokument des alltäglichen Kampfes ums nackte Überleben und die Bedrohung durch eine Krankheit, die eine ständige Todesdrohung bedeutet. Vor allem ist mit "Bürger Oketch" aber ein Film entstanden, der von den Freuden, den Freunden und von Liebe in einem Slum eines Landes erzählt, das extreme Ungleichheiten hervorgebracht hat. Das Leben im Slum ist durchdrungen mit akustischen Rhythmen von "99.9 Koch FM", dem Slum-Radiosender, der mit einem Edutainment-Konzept die Slumbewohner von Nairobi mit gezielten Nachrichten und populärer Musik versorgt.

Trailervideo: http://blip.tv/file/2450032 + http://www.youtube.com/watch?v=Xbz3nJ1TUCA


Englische Synopsis: Citizen Oketch is a film about people struggling to overcome the hardships of life in Kibera, one of East Africa's largest slums. But it is also a film about joy, friendship and about love. For two and a half years the directors, David Herdies and Georg Götmark, follow the life of George Oketch and Esther Okonyo as they raise their kids, fight to overcome the constant obstacles of disease and poverty, while trying to maintain a loving relationship. George and Esther are from different tribes, and their relationship was questioned already from the outset by their families. As Kenya is thrown into ethnical violence following the election in 2007, the family find themselves in the epicentre of the conflict, they have to protect their kids not only from the angry rioting mob but also from the teargas and gunshots of the police. Nevertheless, in the shadow of the massive media-coverage of burning slums, life in Kibera continues. And all this time George’s goal is to make enough money to be able to pay the dowry to Esther’s parents. This way they can legitimize their marriage, and secure the future of their children. Throughout the documentary, we hear the sounds of the ghetto radio station, 99.9 Koch FM, pumping out their own brand of “Edutainment” - Educating by entertainment, that serves the slums of Nairobi with concious messages and popular music.

Citizen Oketch (Sweden 2008)

Englische Werkbeschreibung: Citizen Oketch is a feature documentary revolving around the everyday struggle for survival in Kibera, Nairobi - East Africas largest slum. For two and a half years the directors, David Herdies and Georg Götmark, follow the life of George Oketch and Esther as they raise their kids, fight to overcome the constant obstacles of disease and poverty, while trying to maintain a loving relationship. George and Esther are from different tribes, and their relationship was questioned already from the outset by their families. As Kenya is thrown into ethnical violence following the election in 2007, the family find themselves in the epicentre of the conflict, they have to protect their kids not only from the angry rioting mob but also from the teargas and gunshots from the police. All this time George’s goal, is to make enough money to be able to pay the dowry to Esther’s parents, so that they can legitimize their marriage, and secure the future of their children. Throughout the documentary, we hear the sounds of the ghetto radio station, 99.9 Koch FM, pumping out their own brand of “Edutainment” - Educating by entertainment, that serves the slums of Nairobi with concious messages and popular music. Citizen Oketch is a film about people struggling to overcome the hardships of life, but it is also a film about joy, about friendship and about love in a slum, in one of the world’s most unequal countries.

GLOBIANS DOC FEST BERLIN
August 12 - 17, 2009
Kino Toni, Antonplatz

Afrikanische Lebenswelten (7)
Vom Sonnenaufgang bis zum Sonnenuntergang:
Ein Tag in Afrika

Film-Nr.: 471
Vorführungstermin: Samstag, 15. August 2009, 22.15 Uhr [VN47]
Themenschwerpunkt: Afrikanische Lebenswelten (7) | Burkina Faso | Kenia | Malawi | Mali | Marokko | Niger

Englischer Titel: One Day in Africa
Originaltitel: One Day in Africa
Deutscher Titel: Ein Tag in Afrika
Herkunft: USA 2008
Laufzeit: 78 min.
Sprachfassung: Englische Originalfassung

Regie: Brook Silva-Braga
Produzent: Brook Silva-Braga
Schnitt: Brook Silva-Braga
Kamera: Brook Silva-Braga
Musik: Jimmy Khoury
Produktion: Earthchild Productions, Portsmouth, Rhode Island

URL Film-Homepage: http://www.onedayinafrica.com/
Premierenstatus: Europäische Erstaufführung
Bisherige Aufführungen: Newport Beach Film Festival, Newport Beach (Kalifornien) USA; Boston International Film Festival, Boston (Massachusetts) USA; Cleveland International Film Festival, Cleveland (Ohio) USA; San Francisco United Film Festival, San Francisco (Kalifornien) USA;


Kurzinhalt: Am konfliktreichen Wendepunkt zwischen kultureller Tradition und heutiger Globalisierung ein filmisches Porträt von sechs Afrikanern aus Burkina Faso, Kenia, Malawi, Mali, Marokko und Niger — mit grundverschiedenem geographischen und kulturellen Hintergründen und Kontexten also. Filmemacher Brook Silva-Braga erzählt auf diese Weise sechs Versionen des zeitgenössischen, afrikanischen Alltagslebens.

Trailervideo: http://blip.tv/file/2239870 + http://www.youtube.com/watch?v=xD8WSFsyLRM&feature=channel_page

Englische Synopsis: At the messy juncture of tradition and modernity six people from different geographic and cultural backgrounds describe six versions of the African story.

Englische Werkbeschreibung: In Kenyan offices and Malawian hospitals, in Moroccan tea houses and Nigerien huts normal people of various backgrounds go about their day. For them, life in the Third World isn't about desperate squalor or improbable triumph; it’s a complex, imperfect existence at odds with the stunning pictures beamed out from African safaris or the sad stories written to spur donations to Western aid groups. Before breakfast, Bridgete turns on the TV in her large, empty living room and sweeps the floor with a hand broom. She’s nine months and six days pregnant but her daughter Alice says she doesn’t want a sibling. Her husband says he doesn’t want a girl. On the other side of the continent Howa is using a similar broom to clean the ground around her thatch-roofed house. She moved here just two months ago, following her new husband to a village he failed to accurately describe. It’s just another day at university for Sali in Burkina Faso. For 20 years her widowed mom sold porridge to send her daughters to school. Sali wants to pay her mom back but fears cronyism will keep her from getting a good job. A stolen entrance exam kept Brahim out of college in Mali but he’s out in his fields again today, manipulating a series of irrigation gates to feed his three wives and fourteen children. At the messy juncture of tradition and modernity six people from different geographic and cultural backgrounds describe six versions of the African story.

One Day in Africa (USA 2008)

Infos zu Entstehung des Films auf Englisch: “One Day in Africa” is the second documentary feature by Brook Silva-Braga. In February 2008 he crossed from Spain to Morocco for an open-ended trip through Africa. His first film, “A Map for Saturday,” chronicled a yearlong adventure touching every major continent except Africa.
With a loose itinerary and no specific narrative goals, Silva-Braga began shooting one-day profiles of people he met along the way. The first was Osama, a shopkeeper in Fez, Morocco. After driving through the Sahara, Silva-Braga spent two months in French-speaking West Africa. In Burkina Faso he was introduced to a theater student; in Mali he found a rural farmer; in dusty Niger he met Howa, a newlywed still adjusting to the harshest elements of her new surroundings.
But overall Silva-Braga was surprised by the level of stability and security on the continent. “I was struck by the difference between the way most people led their lives and what I expected based on what I had seen in movies or read in magazines,” he says. “Almost everyone seems to go to Africa to tell a story about war or AIDS or orphans or misery. And while those things all exist they aren’t the day-to-day reality of most people.” That proved true even in hotspots like Kisumu, Kenya where fighting had ravaged the city after a disputed presidential election. Silva-Braga found his subject there by accident; while looking for a rental car he met Titus, who had survived the worst of the violence and was just a day from re-opening his travel agency and boutique. On other occasions Silva-Braga sought people with specific perspectives or circumstance. For a month in Malawi he attempted to profile a pregnant woman. Government bureaucracy sent him up and down the tall, narrow country before a young hospital chief consented to the filming. Silva-Braga returned to the United States in July 2008 to edit the film, collaborating with two key members of the “A Map for Saturday” team: musician Jimmy Khoury and animator Matt LaVoy.

One Day in Africa (USA 2008) Director Brooks Silva Braga

Hinweis: Von Brook Silva-Braga zeigen wir am Sonntag, 16. August 2009, um 14 Uhr noch einen weiteren Film und zwar "A Map For Saturday" über Langzeit-Weltreisende als Sondervorführung für die CouchSurfer Community (als Programm-Wiederholung vom 3. Globians Doc Fest 2007).

GLOBIANS DOC FEST BERLIN
August 12 - 17, 2009
Kino Toni, Antonplatz