Heilung als kultureller und sozialer Prozess (1): "La Curación" als Tiefenschicht-Erfahrung in der dampfenden, vulkanischen Landschaft von Ecuador

Film-Nr.: 121
Vorführungstermin: Mittwoch, 12. August 2009, 20 Uhr — [VN 12]
Themenschwerpunkt: Heilung als kultureller und sozialer Prozess (1) | Archäologie - Anthropologie - Ethnologie (1)

Englischer Titel: The Healing
Originaltitel: La Curación
Deutscher Titel: Die Heilung
Herkunft: Ecuador/USA 2008
Laufzeit: 55 min.
Sprachfassung: Spanische Originalfassung (tw. Quichua), englische Untertitel

Regie: Meredith Zielke, Yoni Goldstein
Mitarbeitende Regie: Andrea Moreno-Beals, Anica Madeo, Alex Belhaj, Dana Kuhn, Gonzalo Escobar, Kyle Fish, Micah Middaugh, Meredith Zielke, Sergio Huarcaya, Susan Fawcett
Produzent: Meredith Zielke, Patrick Schaller, Sergio Huarcaya, Yoni Goldstein
Schnitt: Andy Sabin
Musik: Andrea Moreno-Beals, Micah Middaugh, Susan Fawcett
Produktion: School of the Art Institute of Chicago



Premierenstatus: Europäische Erstaufführung
Bisherige Aufführungen: Ann Arbor Film Festival, Ann Arbor, USA;

Kurzinhalt: Filmischer Versuch zur Ethnographie in der dampfenden und vulkanischen Landschaft von Ecuador, bei dem Erzählungen eines epileptischen Revolutionärs, eines feuerschluckendern Schamanen, eines Arztes und eines „Campesino“-Visionärs ein Teifenverständnis von Heilung, Transparenz und Körpermythologie ermöglichen.

Englische Synopsis: 'La Curación' is an experiment in ethnography located in the breathing, volcanic geography of Ecuador. Told through a prism of narratives (an epileptic revolutionary, a fire-breathing shaman, a poet-physician, a 'campesino' visionary), the film reveals deeply layered understandings of healing, permeability, and body mythology.

Dieser Film aus dem Programm des Globians Doc Fest wird wiederholt und zwar am 02. Dezember 2009 um 22.15 Uhr im Berliner Kino "Eva Lichtspiele", Blissestraße 18, Berlin-Wilmersdorf, U-Bahnhof Blissestraße.

GLOBIANS DOC FEST BERLIN
August 12 - 17, 2009
Kino Toni, Antonplatz

Papier als Kunst, Papier als Kriegswaffe (2): Bomben auf Flügeln aus Papier; im Zweiten Weltkrieg: die Angriffswelle Japans auf die Westküste der USA

Film-Nr.: 132
Vorführungstermin: Mittwoch, 12. August 2009, 21 Uhr (Hauptfilm) — [VN13]
Themenschwerpunkt: Heilung als kultureller und sozialer Prozess (2) | Japan-USA (2) | Papier als Kunst, Papier als Kriegswaffe (2)

Englischer Titel: On Paper Wings
Originaltitel: On Paper Wings
Deutscher Titel: Auf Flügeln aus Papier
Herkunft: USA 2008
Laufzeit: 67 min
Sprachfassung: Englisch-Japanische Originalfassung mit englischen Untertiteln

Regie: Ilana Sol
Produzent: Ilana Sol
Schnitt: Kate Schoninger, Michael Gandsey (sound)
Kamera:
Musik: Eric Schopmeyer, Peter Broderick, Tara Jane O'Neil
Produktion:

URL Film-Homepage: http://www.onpaperwingsthemovie.com
Premierenstatus: Europäische Erstaufführung
Bisherige Aufführungen: Salem Film Festival, WINNER: NW Emerging Artst Award, Best Feature, Salem, Oregon, USA; Kent Film Festival, WINNER: Best Documentary Film, Kent, Connecticut, USA, North America PREMIERE; Northwest Film and Video Festival, WINNER: Audience Award for Best Feature, Portland, Oregon, USA; Red Rock Film Festival, Springdale, Utah, USA; Girlfest Hawaii, Honolulu, Hawaii, USA; Tacoma Film Festival, WINNER: Best Documentary Film, Tacoma, Washington, USA; Astoria International Film Festival, WINNER: Best Regional Film, Astoria, Oregon, USA; Port Townsend Film Festival, Port Townsend, Washington, USA; New York Peace Film Festival, New York City, USA; Washougal International Film Festival, Winner of Spirit Award, Washougal, Washington, USA.

Kurzinhalt: In der Spätphase des Zweiten Weltkriegs startete Japan eine Angriffswelle mit Flugbomben, die durch Papierballons mit dem Luftstrom an die Westküste der USA getragen wurden. Der Film berichtet von den Hintergründen und Wirkungen dieses kaum bekannten Kriegseinsatzes.



Englische Synopsis: In 1945, a Japanese balloon bomb claimed the lives of the only people killed on the continental U.S. as the result of enemy action during WWII. Forty years later, the decision to fold a thousand paper cranes would unite the Japanese and American civilians affected by this incident.

Englische Werkbeschreibung: During WWII, the Japanese military developed a new weapon intended to strike directly at the American continent – the balloon bomb. High school girls across Japan were conscripted into factories where they built thousands of balloons made of paper. These balloons were then attached to bombs and launched into the jet stream to drift toward North America. On May 5th, 1945, a pastor, his pregnant wife, and five children departed on a picnic in Southern Oregon. When they found an un-detonated balloon bomb, the device exploded, killing the pastor’s wife and all five children. They became the only people killed on the continental U.S. as the result of enemy action during WWII. Forty years later, a Japanese American man who had spent his wartime years in an internment camp found out about these deaths. He knew several women in Japan who as young girls had been forced to work on the balloon bombs, and the news of these deaths shocked and saddened them. These women decided to fold a thousand paper cranes to offer to the families of those killed in Oregon, and the groups eventually all met face to face. The friendships formed since have helped citizens on both sides of the Pacific cope with the tragedies they experienced during WWII. This is the story of four Japanese women who worked on balloon bombs, the families of those killed in Oregon, and the man whose actions brought them all together forty years after WWII, and the balloon bomb project.

Director's Bio: Ilana Sol is a filmmaker who lives and works in Portland, Oregon (USA). She has worked in the film industry for twelve years on a variety of independent, educational and commercial projects. When her hobby of historical research led her to find out about the Japanese balloon bombs, she soon found herself spending hundreds of hours researching these bizarre weapons, and traveling thousands of miles to meet with those affected by them. Truth is often stranger than fiction, and this has solidified her love of documentary filmmaking. She is the recipient of grants from the Oregon Council for the Humanities, the Regional Arts and Culture Council, and the Oregon Heritage Commission. “On Paper Wings” is her first film.



GLOBIANS DOC FEST BERLIN
August 12 - 17, 2009
Kino Toni, Antonplatz

Etwas Unbekanntes tut etwas, vom dem wir nicht wissen, was es ist.

Film-Nr.: 142
Vorführungstermin: Mittwoch, 12. August 2009, 23 Uhr (Hauptfilm) — [VN 14]
Themenschwerpunkt: Heilung als kultureller und sozialer Prozess (3)

Englischer Titel: Something Unkown Is Doing We Don't Know What
Originaltitel: Something Unkown Is Doing We Don't Know What
Deutscher Titel: Etwas Unbekanntes tut etwas, von dem wir nicht wissen, was es ist
Herkunft: Südafrika 2009
Laufzeit: 105 min.
Sprachfassung: Englische Originalfassung

Regie: Renée Scheltema
Produzent: Renée Scheltema (executive producer); Paul Verhoeven (associate producer)
Schnitt: Renée Scheltema (also sound)
Kamera: Renée Scheltema
Musik: Roger Bashew
Produktion: Telekan CC, Kapstadt

URL Film-Homepage: http://www.somethingunknown.com
Premierenstatus: Deutsche Erstaufführung
Bisherige Aufführungen: Arizona Int. Film Festival USA

Kurzinhalt: Ausführlicher Reisebericht zu renommierten US-amerikanischen Wissenschaftlern, die zu paranormalen PSI-Grenzphänomenen wie Telepathie, Wahrsagen, Telekinese, Fernwahrnehmung und Spontanheilungen im Auftrag der Regierung forschen.



Filmtrailer: http://blip.tv/file/2242989 + http://www.youtube.com/watch?v=016R1c4_HIc&feature=channel_page

Englische Synopsis: Is it possible that some people can read your mind (Telepathy)? ;or look into the future (Clairvoyancy)? How come some people can cure themselves while in the last stages of a deadly cancer? (Healing). Does mind over matter really exist, and if so, how do we explain this? (Telekinesis). In the US millions of people claim to ‘see’ distant objects or places (Remote Viewing); are they fooling us, or do they really see something? Do we have quantum-brains? And where is the boundary between 'real' magical powers and fraud? Can these ‘miracles of the mind’ be explained? Answers These and more questions will be answered in the documentary “Something Unknown Is Doing We Don’t Know What” (100 min.). This is a road movie, where filmmaker Renée Scheltema sets out to the US to meet prominent scientists with solid credentials who are doing research in this field, to see if there is any scientific evidence of psychic phenomena(‘psi’). Along the way, she meets a lot of psychics, and collects anecdotal stories…

Director's Bio: Renée Scheltema (1951) is a Dutch documentary filmmaker and photographer. After her degree in Criminology in 1974, she went to the University of California in Berkeley ( School of Journalism ). Her main subjects were TV-Journalism and Photo-Journalism. For 25 years Renée has worked for Dutch television as a director, producer and camera-person. Some of her documentaries, like “Hush”, a portrait of artist Tracy Payne; “Seven Days in Burma”, “The Death Penalty”, “Portrait of A Zen couple”, “The Bus” were selected at international filmfestivals. Renée has just finished a documentary feature on science and spirituality called “Something Unknown is doing we don’t know what” (www.SomethingUnknown.com) As a photographer, Renée has been working for magazines and newspapers in Holland, the US, and South Africa. She was a member of Gamma Liaison in New York (now called Getty Images). Renée lives in Cape Town, South Africa.
Degrees:
-MA. School of Journalism. University of California. Berkeley.
-Drs Criminology. University of Leiden. Netherlands
-Bachelor of Law. University of Leiden. Netherlands

GLOBIANS DOC FEST BERLIN
August 12 - 17, 2009
Kino Toni, Antonplatz

Langzeit-Traumata (2) Indonesien |Heilung als kultureller und sozialer Prozess (4): 40 Jahre nach dem Massenmord durch das Suharto-Regime

Film-Nr.: 631
Vorführungstermin: Montag, 17. August 2009, 16 Uhr [VN63]
Themenschwerpunkt: Langzeit-Traumata (2) Indonesien | Archäologie - Anthropologie - Ethnologie (7) | Heilung als kultureller und sozialer Prozess (4)

Englischer Titel: 40 Years of Silence: An Indonesian Tragedy
Originaltitel: 40 Years of Silence: An Indonesian Tragedy
Deutscher Titel: 40 Jahre Schweigen: eine indonesische Tragödie
Herkunft: USA 2008
Laufzeit: 96 min.
Sprachfassung: Indonesisch-balinesisch-englische Originalfassung mit englischen Untertiteln

Regie: Robert Lemelson
Produzent: Robert Lemelson
Kamera: Dag Yngvesson
Schnitt: Dag Yngvesson, Emily Ng, Heidi Zimmerman, Kathy Huang, Wing Ko, Richard Henderson (sound)
Musik: Malcolm Cross
Produktion: Elemental Productions, Pacific Palisades (Kalifornien)

URL Film-Homepage: http://www.elementalproductions.org
Premierenstatus: Internationale Premiere
Bisherige Aufführungen: Boston International Film Festival, Boston (Massachusetts) USA;

Kurzinhalt: Es ist einer der größten Massenmorde des 20. Jahrhunderts, kaum bekannt und noch weniger erinnert: Im Machtspiel des Kalten Kriegs lässt General Suharto in Indonesien zwischen 500.000 und 1.000.000 Menschen als angebliche "Kommunisten" ermorden und zwar in einem extrem komplexen Folge von Ereignissen, die im Herbst 1965 beginnen. Das Suharto-Regime kann dadurch seine militärische Herrschaft und letztlich auch die Machtergreifung von Suharto als Staatsoberhauptes von Indonesien durchsetzen und für Jahrzehnte festigen. Wie auch bei der Schreckensherrschaft der Roten Khmer in Kambodscha haben die südost-asiatischen Kulturen erhebliche Schwierigkeiten bei der Aufarbeitung von Leiden, Schuld und Sühne. Die Anthropologe und Psychotherapeut Robert Lemelson versucht in dieser Langzeitstudie Wege der Aufarbeitung und Heilung für die überlebenden Opfer und ihre Familien aufzuzeigen: ein bewegender und erschütternder Film.

Videos:
Teaser: http://blip.tv/file/2236913 + http://www.youtube.com/watch?v=EpppIAv-bV0&feature=channel_page
Trailer: http://blip.tv/file/2237350 + http://www.youtube.com/watch?v=bQAlqcV1QW0&feature=channel_page
Director's Statement: http://blip.tv/file/2237015

Englische Synopsis: In one of the largest unknown mass-killings of the 20th century, an estimated 500,000 to 1,000,000 people were secretly and systematically killed in 1965 when General Suharto launched a bloody purge of suspected “communists” in Indonesia through a complex and highly contested series of events through which he ultimately gained power and the presidency. During Suharto's authoritarian rule, any discussion or memorializing of the killings that differs from the official state narrative has been suppressed. '40 Years of Silence: An Indonesian Tragedy' follows the brave testimonies of four individuals and their families through a multi-generational perspective as they break the silence and reflect upon how the long-term, traumatic effects of the 1965 mass-killings has reverberated painfully in their lives till the present day



Englische Werkbeschreibung: Directed by documentary filmmaker and world renowned-psychological anthropologist Robert Lemelson, “40 Years of Silence: An Indonesian Tragedy” is the moving feature length documentary film about one of the most horrific chapters in Indonesia’s history. In one of the largest unknown mass-killings of the 20th century, an estimated 500,000 to 1,000,000 people were secretly and systematically killed in 1965, when General Suharto began a bloody purge of suspected “communists” throughout Indonesia. Wielding his growing influence through a complex and highly contested series of events to install his New Order regime, Suharto ultimately gained power and the presidency of the country. Under his authoritarian rule, any discussion, recognition or memorializing of the mass killings that differed from the Suharto’s official state narrative was quickly suppressed. “40 Years of Silence: An Indonesian Tragedy” follows the compelling testimonies of four individuals and their families from Central Java and Bali, two regions heavily affected by the purge. As they break their silence publicly for the first time, each family provides an intimate and frightening look at what it was like for survivors of the mass-killings. In chilling detail, they describe the events of 1965 through their own experiences, re-living and reflecting upon the stigmatization and brutalization they continue to endure on both the village and state levels. Over time, the survivors and their families attempt to find ways to deal with a tragedy that was, and is still not, openly recognized by their neighbors, government or the world. Through their stories, the audience will come to understand modern-day Indonesia’s potential for retribution, rehabilitation and reconciliation within this troubled historical context. “40 Years of Silence: An Indonesian Tragedy” was produced by Lemelson’s Elemental Productions. Based in Los Angeles, Elemental Productions is dedicated to the production of ethnographic documentaries focusing on the relationship between culture, psychology and personal experience in Indonesia and the United States. For more information on “40 Years of Silence: An Indonesian Tragedy,” Elemental Productions and other films from the company, please visit www.elementalproductions.org.



Dieser Film aus dem Programm des Globians Doc Fest wird wiederholt und zwar am 25.November 2009 um 18.30 Uhr im Eiffelturm-Kino Berlin (im Centre Français de Berlin), Müllerstr. 74, U-Bahnhof Rehberge/Afrikanische Straße.

GLOBIANS DOC FEST BERLIN
August 12 - 17, 2009
Kino Toni, Antonplatz

Langzeit-Traumata (3) Holocaust | Heilung als kultureller und sozialer Prozess (5): Die Klassenkameraden von Anne Frank

Film-Nr.: 641
Vorführungstermin: Montag, 17. August 2009, 17.45 Uhr [VN64]
Themenschwerpunkt: Langzeit-Traumata (3) Holocaust | Heilung als kultureller und sozialer Prozessw (5)

Englischer Titel: Classmates of Anne Frank
Originaltitel: Classmates of Anne Frank
Deutscher Titel: Die Klassenkameraden von Anne Frank
Herkunft: Israel 2008
Laufzeit: 58 min.
Sprachfassung: Niederländisch-hebräisch-englische Originalfassung mit englischen Untertiteln

Regie: Eyal Boers
Produzenten: Eyal Boers, Ora Coster, Theo Coster
Drehbuch: Eyal Boers, Ora Coster
Schnitt: Hilla Haramatti, Michael Goorevich (sound)
Kamera: Uri Ackerman
Produktion: Theora Design, Tel-Aviv
Weltvertrieb: JMT Films Distribution and Worldwide Sales, Tel-Aviv, Israel
Vertriebsbeauftragte: Michael Treves, Aliza Coster

URL Film-Homepage: http://www.jmtfilms.com/document.htm#annefrank
Premierenstatus: Deutsche Erstaufführung
Bisherige Aufführungen: Palm Beach International Film Festival, Palm Beach (Florida) USA; Los Angeles Jewish Film Festival, Los Angeles (Kalifornien) USA; Las Vegas International Film Festival, Las Vegas (Nevada) USA; European Independent Film Festival, Paris, Frankreich; Jerusalem Jewish Film Festival, Jerusalem, Israel, DaKINO International Film Festival, Bukarest, Rumänien;

Kurzinhalt: Ein Erfinder von Gesellschaftsspielen aus Israel kehrt in die Nachbarschaft seiner Kindheit in den Niederlanden zurück, um ein Wiedersehen mit fünf seiner und Anne Franks Klassenkameraden zu ermöglichen. Dabei entdeckt er eine überraschende Wahrheit über das Dorf, in dem er sich während des Zweiten Weltkriegs versteckt hielt.

Trailervideo: http://blip.tv/file/2267932 + http://www.youtube.com/watch?v=QNHxvgOzJsc&feature=PlayList&p=4B4FE5E49176D406&index=29
Film intro excerpt: http://blip.tv/file/2267947 + http://www.youtube.com/watch?v=1VZP2TlOSnM&feature=PlayList&p=4B4FE5E49176D406&index=30


Englische Synopsis: A game inventor from Israel returns to his childhood neighbourhood in Holland to reunite with five of his and Anne Frank's former classmates, only to discover a surprising truth about the village where he was hiding during World War Two.

Englische Werkbeschreibung: To comprehend fully the events in the life of Anne Frank, one must listen to the voices of the children who were there with her, of those who remember her. Theo (Maurice) Coster, a famous games' creator from Israel, renews contact with six of his and Anne Frank's former classmates, only to discover an astonishing and confusing truth about the village where he was hiding during World War Two. Set against their childhood locations in Amsterdam, Westerbork Transit Camp and their current homes in Holland and Israel, these former classmates discuss their relationships with Anne and how they survived the war. Through these discussions, the film takes a bold and illuminating look at the different Dutch attitudes towards the war years in The Netherlands and towards the Holocaust. Anna Frank's Diary confirms the tragedy of the Holocaust and continues to debunk Holocaust deniers. The documentation of Anna's classmates, now in their eighties, strengthens the impact the Diary has on the world. The story of Anna's classmates is not only illustrated through interviews and discussions between the classmates themselves, but also through photographs, archival footage, personal scrapbooks and letters and other new resources.

>

Director's Bio: Eyal Boers is a creative film professional with experience in writing, directing, producing, research and camera. Eyal has a B.A. Degree from Tel Aviv University in Philosophy and Political Science and an M.F.A. degree from Tel Aviv University in Film and Television Studies. As part of his film studies, Eyal produced, directed and wrote two short dramas: "Chayal Boded"[A Lone Soldier], which won the award for best cinemtography at the 2007 Ashdod International Film Festival; and "What Matters", which won the bronze bear award at the 2005 Festival of Nations in Austria. Eyal has also worked as a cameraman for the Israeli and Dutch Television and as a Cinema teacher and lecturer at various Israeli colleges. He is a member of the Israeli Documentary Filmmakers Forum.



Anne Frank wäre heute, am 12. Juni 2009, 80 Jahre alt geworden. Es ist uns eine Ehre, diesen Film von Eyal Boers am heutigen Tag als Teil des Festival-Programms des Globians Doc Fest Berlin ankündigen zu können. Die Website des Anne-Frank-Zentrums in Berlin für weitere Informationen: http://www.annefrank.de/

Dieser Film aus dem Programm des Globians Doc Fest wird wiederholt und zwar am 25. November 2009 um 21.00 Uhr im Eiffelturm-Kino Berlin (im Centre Français de Berlin), Müllerstr. 74, U-Bahnhof Rehberge/Afrikanische Straße.

GLOBIANS DOC FEST BERLIN
August 12 - 17, 2009
Kino Toni, Antonplatz

ISRAEL | Deutsche im Ausland (3) | Langzeit-Traumata (4): Meine Liebe Dein Land

Film-Nr.: 651
Vorführungstermin: Montag, 17. August 2009, 19 Uhr [VN65]
Themenschwerpunkt: Deutsche im Ausland (3) | Langzeit-Traumata (4) Israel | Heilung als kultureller und sozialer Prozess (6)

Englischer Titel: My Love Your Land
Originaltitel: Meine Liebe Dein Land
Deutscher Titel: Meine Liebe Dein Land
Herkunft: Deutschland 2009
Laufzeit: 60 min.
Sprachfassung: Deutsch-hebräisch-englische Originalfassung mit englischen Untertiteln

Regie: Gerhard Schick
Produzent: Gerhard Schick
Drehbuch: Miriam Jakobs
Schnitt: Heinz Kraft, Gerhard Schick
Kamera: Gerhard Schick
Produktion: Schick Films, Köln (Cologne)

Website: http://gerhardschick.de
Premierenstatus: Weltpremiere

Kurzinhalt: Als Sven aus Deutschland Orly aus Israel traf, war er 19 und sie 33. Obwohl Orly schon zwei Kinder hatte, waren die beiden als Paar unzertrennlich. Orlys Eltern waren über diese neue Beziehung ihrer Tochter gar nicht glücklich, viele Familienmitglieder wurden im Holocaust umgebracht. Aber bald zog Sven nach Tel Aviv um und das ungleiche Paar heiratete. Ihre Geschichte reflektiert das gesamte Spektrum sozialer und politischer Probleme von Israel im kleinen Universum einer Familie.

Trailervideo: http://blip.tv/file/2358706 + http://www.youtube.com/watch?v=N7GaQBQHSfI

Englische Synopsis: When Sven from Germany was 19, he met Orly from Israel, who was 33. Although she already had two children, they became inseparable. Orly’s parents were not happy about their daughter’s new relationship – many family members were murdered during the holocaust. But soon Sven moved to Tel Aviv and the unequal couple got married. Their story is never just a private love affaire — it reflects all critical social and political Israeli issues in the small universe of a family.

>>

Englische Werkbeschreibung: I met my best friend Sven on a plane to Israel. We were both in the twelfth grade and on our way to a student exchange with Tel Aviv. We immediately fell in love with this strange and peculiar country, and for two naive pacifists we coped surprisingly quickly with the ever-present military. Then Sven met Orly. Although Orly had two children from her first marriage, and although she was 14 years older than Sven, they became inseparable. All the facts spoke against them: the German boy and the Israeli woman, the down-to-earth physicist and the emotional musician, the boy from provincial Cologne in the turbulences of the Middle East. Moreover, Orly’s parents were not happy about their daughter’s new relationship. Many family members were murdered during the holocaust. A German son-in-law was unthinkable for them. But the unequal couple seemed to defy the odds. A year after they had first met, Sven moved to Tel Aviv. Orly’s son Amos and her daughter Anat live partly with their natural father and partly with Orly and Sven. When Sven entered their life, they were only five and six years old. For them it became normal to have a German as a second father. On some days, especially on the Holocaust Memorial Day, this normality is challenged, though. Besides, the ongoing crisis makes a normal life in Israel look like a far away dream. On one evening a suicide attack occurs only a few hundred meters from Sven and Orly’s house. So their story is never just a private love affaire – it reflects all critical social and political issues in the small universe of a family.

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Von Gerhard Schick zeigte das Globians Doc Fest 2008 bereits im August 2008 die Produktion "Tanz und Tabu in Sao Paulo" über die Choreographin Gerda König.



Director‘s Bio: Gerhard Schick. Geboren 1970. Studium der Theater-, Film- und Fernsehwissenschaft, Deutschen Philologie und Geschichte in Köln und Tel Aviv. Seit 1999 Autor von Dokumentarfilmen. Arbeiten unter anderem für die 3sat-Redaktion des WDR Köln, ZDF/arte, NDR/arte und das Goethe-Institut. Lehraufträge an der Hochschule für Fernsehen und Film (HFF) München und der Universität Regensburg.

Filmographie (Auszüge)
2009: Aus der Waagerechten in die Senkrechte.
Montage der Skulptur Standortmitte, 60’
Raus aus dem Zauberwald, 45’
2008: Der Klang der Worte, 74’
Meine Liebe Dein Land, 60’
2007: Der andere Körper. Tanz und Tabu in Sao Paulo 60‘
Requiem für einen Punk, 80’
2006: Einladung zum Tanz, 90’
2005: Das Monster in uns, 60’
Zwischen Himmel und Erde, 5x30’
1999: Pirambu - Wege aus der Armut, 45’
1996: Shalom Alaaf – Erinnerungen Kölner Juden, 45’

Dieser Film aus dem Programm des Globians Doc Fest wird wiederholt und zwar am 25. November 2009 um 21.00 Uhr im Eiffelturm-Kino Berlin (im Centre Français de Berlin), Müllerstr. 74, U-Bahnhof Rehberge/Afrikanische Straße.

GLOBIANS DOC FEST BERLIN
August 12 - 17, 2009
Kino Toni, Antonplatz